Name of the Wealthy Family That Were the Main Patrons of Art in the Renaissance
Overview
It has long been a thing of contend why the Renaissance began in Florence, and not elsewhere in Italy. Scholars take noted several features unique to Florentine cultural life that may have acquired such a cultural movement. Many accept emphasized the role played past the Medici, a banking family and later ducal ruling business firm, in patronizing and stimulating the arts. Lorenzo de' Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to committee works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti. Works past Neri di Bicci, Botticelli, da Vinci, and Filippino Lippi had been commissioned additionally by the convent di San Donato agli Scopeti of the Augustinians order in Florence.
The Medici House Patronage
The House of Medici was an Italian banking family, political dynasty, and subsequently royal house that beginning began to get together prominence under Cosimo de' Medici in the Republic of Florence during the outset half of the 15th century. Their wealth and influence initially derived from the textile merchandise guided by the guild of the Arte della Lana. Like other signore families, they dominated their city'southward government, they were able to bring Florence nether their family unit's power, and they created an environment where art and Humanism could flourish. They, forth with other families of Italy, such as the Visconti and Sforza of Milan, the Este of Ferrara, and the Gonzaga of Mantua, fostered and inspired the birth of the Italian Renaissance.
The biggest accomplishments of the Medici were in the sponsorship of art and architecture, mainly early and Loftier Renaissance art and compages. The Medici were responsible for the majority of Florentine art during their reign. Their money was meaning considering during this period, artists by and large simply made their works when they received commissions in advance. Giovanni di Bicci de' Medici, the commencement patron of the arts in the family, aided Masaccio and deputed Brunelleschi for the reconstruction of the Basilica of San Lorenzo, Florence, in 1419. Cosimo the Elder's notable artistic assembly were Donatello and Fra Angelico. The most significant addition to the list over the years was Michelangelo Buonarroti (1475–1564), who produced work for a number of Medici, beginning with Lorenzo the Magnificent, who was said to be extremely addicted of the young Michelangelo, inviting him to study the family collection of antiquarian sculpture. Lorenzo also served every bit patron of Leonardo da Vinci (1452–1519) for vii years. Indeed, Lorenzo was an artist in his own right, and an author of poetry and song; his support of the arts and letters is seen as a high signal in Medici patronage.
In architecture, the Medici are responsible for some notable features of Florence, including the Uffizi Gallery, the Boboli Gardens, the Belvedere, the Medici Chapel, and the Palazzo Medici. Afterward, in Rome, the Medici Popes continued in the family tradition by patronizing artists in Rome. Pope Leo X would chiefly commission works from Raphael. Pope Clement 7 commissioned Michelangelo to paint the altar wall of the Sistine Chapel just before the pontiff'south death in 1534. Eleanor of Toledo, princess of Spain and married woman of Cosimo I the Great, purchased the Pitti Palace from Buonaccorso Pitti in 1550. Cosimo in plough patronized Vasari, who erected the Uffizi Gallery in 1560 and founded the Accademia delle Arti del Disegno ("University of the Arts of Drawing") in 1563. Marie de' Medici, widow of Henry Four of French republic and mother of Louis XIII, is the subject of a commissioned cycle of paintings known as the Marie de' Medici bike, painted for the Luxembourg Palace past court painter Peter Paul Rubens in 1622–1623.
Although none of the Medici themselves were scientists, the family is well known to accept been the patrons of the famous Galileo Galilei, who tutored multiple generations of Medici children and was an important figurehead for his patron's quest for power. Galileo'due south patronage was somewhen abased by Ferdinando Two when the Inquisition accused Galileo of heresy. Withal, the Medici family did beget the scientist a condom haven for many years. Galileo named the four largest moons of Jupiter later four Medici children he tutored, although the names Galileo used are not the names currently used.
brightfaverectoor.blogspot.com
Source: https://courses.lumenlearning.com/atd-herkimer-westerncivilization/chapter/art-and-patronage/
0 Response to "Name of the Wealthy Family That Were the Main Patrons of Art in the Renaissance"
Mag-post ng isang Komento